Skip to main content

Our Folk Safar Initiative

 Our Folk Safar Initiative

Contributed by Madhura Dutta

Throughout 2020, Covid-19 and its associated lockdowns, travel bans, cancellation of fairs, festivals and collaborations, etc., have severely impacted the lives and livelihoods of rural folk artists in India. Vulnerable at the best of times, the crisis increased their economic, social and emotional despair, marginalisation and uncertainties manifold. As travel and markets are slowly opening up, there is an urgent need to support and boost the businesses and opportunities of these artists so that they can recover from the huge losses they incurred and get back to their usual livelihoods. To this end, banglanatak dot com, a 20 year old UN-accredited Social Enterprise specializing in Culture & Development, facilitated a series of local festivals since the beginning of 2021 and also developed free live cultural spaces for these folk artists to engage regularly with buyers, markets and audiences.

Banglanatak dot com has created two active community art spaces at Jaipur and Goa with the name 'Folk Safar' where exhibitions, performances, workshops, lecture sessions, and film showcasings are ongoing. Various rural traditional artist groups from Rajasthan, Bengal and Bihar, the areas we work in for strengthening rural creative enterprises, are  participating. Each group has a fourteen to twenty day period at these spaces to directly sell, perform, and build their networks with buyers and clients. The travel, stay and promotion of the artists are being fully supported by the organization so that they can make the most of their opportunities and maximize profits to be able to recuperate faster.

 


Folk Safar Jaipur kicked off from 1st March at a beautiful open area at Krishna Niwas (G-15 Krishna Marg, C-Scheme) which has spaces for set-up of handicrafts artists, a built-in stage, and a cafe. Here, regular folk programmes and handicraft exhibitions/ demonstrations/ sales have been planned, with the idea of providing the artists with a platform to interact with the audience, sell products, and establish direct market linkages. It also gives an opportunity for  local art and music lovers and residents to know more about these intangible cultural heritages of the country. The handicraft artists from Bengal and Rajasthan started showcasing their products from 1st March, and the Manganiyar artists from Sheo, led by renowned vocalist Dada Khan Manganiyar performed over the first weekend of 5-7 March.

 


These folk artists greatly benefitted from this space with excellent sales and direct connects with buyers, customers and audiences. Over a period of ten days there was a total direct sale of more than Rs 1.4 Lac, in addition to buyer-linkages by four handicraft artists including a Kantha artist from Birbhum, a Madur artist from Paschim Medinipur, a Durrie weaver from Jodhpur and an embroidered leather Jutti maker from Barmer. As Banglanatak dot com suppported their costs of travel and stay in order to help them maximize their profits, the market response and appreciation by buyers uplifted their spirits and motivation. As Lovely explained and demonstrated her Kantha work, the visitors were awestruck by the finesse and skill of her handicraft. According to her, "They have never seen Kantha. When I am explaining then they are understnding the process. Else they think these stitches are done with machines. I really like it when they realize the speciality of Kantha and appreciate my work." Pradeep, the Madur artist, showcased the finest quality of Masland Mat, among other products, and also showed how the natural reeds are made finer for weaving different types of mats. Kesaram Durrie weaver, with his diversified home products and brilliant colour schemes captured the attention of buyers quickly. Kishor, a young jutti craftsperson with his exquisite embroidered leather juttis and humorous ways won the hearts of the customers.

During 5-7 March, there was free flowing music under the open sky, audiences and youth enjoying and dancing to the tunes. Being a free and open-to-all space, there was a relaxed ambience that added to the experience.

 


The melodious voice of Dada Khan Manganiyar reverberated with songs of Kabir and Bulleh Shah. The tunes of his Tandura, the rhythm of Manjoor Khan's Dhol, accompanied by Bhungra Khan's Kamaicha and Bhunger Khan's Khartal enthralled the audience! In between the performances, a few short films were shown on the habitat, lifestyle, instruments and doyens of the Manganiyars and Langas. The highlight of the weekend was the inauguration by Padmashree Anwar Khan Manganiyar and Shri Bundu Khan Langa, an historically famous duo at international performances, who performed together after ten years along with the young prodigies, further inspiring them. The audience came forward to interact with the artists after their performances, shared their contacts for future communications about programmes, and congratulated the initiative which was much more than just a one-off event. The enthusiasm is on for scheduled Folk Safar programmes for the rest of the month!

 


In the long run, the Folk Safar initiative also aims to  increase visibility of the rural folk artists and the places they come from, and generate interest and awareness  about their villages, lifestyle and traditions. Banglanatak dot com specializes in design and development of community owned Rural Cultural Tourism, thus  strengthening village based creative economies through the sustainable development and promotion of intangible cultural heritage assets. It has already developed 20 rural cultural tourism hubs in West Bengal benefitting more than 25,000 artists across 30 different folk art and craft forms. The Jaipur Folk Safar programme has the potential to create an interactive and informal space between these folk musicians and craftspersons as well as consumers, enabling development of rural cultural tourism in the folk art villages of Rajasthan.

Comments

Popular posts from this blog

Village Festivals: Celebrating Traditions

Village Melas are the annual festivals of artist villages that work with indigenous art and craft forms. In interest of the artist communities , the melas have been significant in strengthening identity of the traditional artist communities and alongside have been operative in creating market linkages for the art. These melas were initiated as resourceful interacting platforms for artists , visitors and the market . Apart from that the melas also staged for the implementation of social changes within the communities of the artists. Initially these festivals were started to familiarize outsiders with the artist identity and legitimize artists pride conforming the knowledge of the art and craft forms. Eventually the melas became grounds for community development as not only outsiders, but also nearby villages started to acknowledge the abilities of the artists and appreciating the art forms.  This year the Melas were quite successful, some of them like...

Leaf 'n' Grass, an Exhibition, Sale and Demonstration of Eco Friendly Handmade Products of Bengal

Leaf ‘n’ Grass Echoes Message of a Greener and Better World Going Green isn’t about a product, it is about a process. It is an ephemeral phenomenon that requires one to become friendly to nature and in the process, friendly to oneself. It involves exploring the intricate details of God’s creations, and using that knowledge of protects them. The words of Robert Swan more than fit in here, “The Greatest Threat to Our Planet is the Belief that someone else Will Save it” Eco friendly or Green products are a manifestation of our distant dream to do away with carbon footprints. Their production, use and disposal does nothing or very little to damage the environment. Naturally, the embrace of such a potential ‘Green Economy’ has created a demand of ‘Green Skills’. Go Green Mission , launched in December 2015, aims to leverage this global trend to promote handicrafts of West Bengal supporting the large craft fraternity of West Bengal, sustain their green skills, and promote a g...

Nepal Mahato

After Gambhir Singh Murah the next legendary chau persona was Nepal Mahato . Besides being an Chau artist he was also a Guru. He played a massive role in spreading Chau worldwide. He was born in the Abadan village of   Purulia on 17th June 1954. Nagendra Mahato and Tushtha Mahato were his parents. He showed his competency in all the three traditional Chau forms;   Purulia, Mayurbhanj and Seraikella. His initial exposure to Chau Dance was at a very early age when he was in the sixth standard in Shikshashatra High school. His first guru was Anil Mahato. He had a vast range of interest ranging from Jhumur song, Nachni Dance and cock fighting. He loved to play football but his love for Chau was beyond everything else which led him to his destiny. Nepal Mahato passed his school final examination in 1993. During his academic years in Shikshashatra his cultural talents became exposed in front of the eyes of Secretary Ajit Mitra and Dulal Chowdhury. Under the patronage of...