Understanding and
sharing are the fundamentals for any stable, caring relationship. It holds true
even for communities having different mindsets, cultural moorings and
socio-economic profiles. An interesting experiment in this context came to an
end recently. It involved youths from the United States and the state of West
Bengal in India. The participants had diverse backgrounds, varied interests and
different aspirations. While some came from marginalized rural families, some
had modest to well-to-do backgrounds, often with an upbringing in urban
milieus. But, in spite of all their differences, they came together to share
stories about their likes, dislikes, passion, profession, roots, aspirations
and perceptions, and ended up as more humane and sensitive souls, if not
friends!
The aim of the Communities
Connecting Heritage (CCH) program was to promote cultural diversity and boost
cultural sustainability through cultural exchange. It was supported by the U.S.
Department of State and administered by World Learning, an international non-profit
with a focus on international development, education and exchange programmes. As
part of CCH, we collaborated with the Smithsonian Center for Folklife and
Cultural Heritage in Washington D.C. in an initiative titled ‘Learning Together
for a Brighter Future’.
Over nearly eight
months — from mid-December 2017 to early August 2018 — 20 young cultural
professionals from the United States and 31 young tradition-bearers from West
Bengal engaged in multiple exchanges through social media platforms, including virtual
workshops. This was interspersed with in-person visits by a five-member team
from each side to Washington D.C. and West Bengal. The subjects of discussion had
a great variety — from art, music and food traditions to lifestyle,
globalization and popular culture, to name a few!
They shared photographs
and videos explaining their culture to each other and got engaged in
informative discussions on issues linked to cultural sustainability. The
virtual workshops honed their skills in digital recording, oral history
mapping, and effective storytelling. They even paired up to write blogs on
their shared interests and experiences, with the topics varying from common
concerns on raising a child to how to manage heritage sites!
Several similarities in
traditions were discovered as well, the best part of it being food! If the
Americans found West Bengal’s Luchi to be a close cousin of their familiar Sopapilla,
the youths from West Bengal discovered Retablo as a tradition largely
resembling their own scroll painting genre of Patachitra!
A folklore graduate
from Arkansas State University in the US and a participant, Kennedy Lyn Soden,
summed it up when he said, “By sharing our cultures and traditions, we opened
up possibilities of others being fascinated by our traditions. We celebrated
our cultures and showed everyone how wonderful different beliefs could be.”
The participants from
India were a rather interesting mix. There were traditional, rural scroll
painters, called Patuas, who use natural colours to paint stories and sing them
before audiences. There also were artists practicing Dokra, an ancient, nearly
3,000-year-old, metal craft; Bauls, traditional folk singers preaching love,
tolerance and peace, theatre practitioners; and urban artists and musicians.The
American side included students coming from across the length and breadth of
the country, right from the east coast (Massachusetts, New York City, Virginia)
to the west (Oakland, Mountain View), the central region (Indiana and Texas) and
the south (New Mexico), with varied socio-economic and racial profiles.
Once
the ball started rolling, the exchange picked up pace and the myriad colors and
tones of the participants’ personal lives and creative selves started being
visible. They uploaded short videos of their homes and neighborhoods.Laura
Cassard, a student of anthropology in Massachusetts, showed her university
campus to Sadhu Das and Kangal Das, Baul singers and brothers from Birbhum who,
in turn, showed Laura the venue of the famous Joydeb-Kenduli Baul music
festival near their home. Charish captured her Spanish neighbouhood in Mexico
City in a video. In short, it was a celebration of the diversity of cultures
that ranged from a small tea stall at Naya village in Pingla to Spanish shops
in Mexico City!CJ
Guadarrama developed an instant connect with Arpan Thakur Chakraborty, thanks
to their common love for music. Arpan posted about listening to bands like
Scorpions, Pink Floyd, John Denver and Bob Marley, even as Guadarrama said,
“High school was also a time when my friends and I listened to the same artists
and tried to play their songs… It was a wonderful, humbling experience to know
that it was not something that we alone did, or even something only high school
students in America do, but that it transcends all borders and touches the
hearts of many youths like Arpan across the world.”
America
has for long been a melting pot of cultures. The pre-historic art form of Pyrography,
also known as pokerwork or wood burning, the Japanese calligraphy Shodo, and the
Mexican folk art Retablo are just a few of the art forms having a significant presence
in the United States. Sharmi Basu, an Indian-American, is now making waves in
the experimental music circuit of America. There are also many similarities among
some art forms found in the US and India, such as the sewing style of Betty
Belanus and the Kantha embroidery of Nanoor! The
posts and videos triggered a great amount of curiosity and appreciation among
the participants. Here were windows to worlds unknown and they showed what was happening
in rather unknown and distant parts of the world. Laura, for example, was quite
overwhelmed after watching a video of the Patachitra of Majramura, in Purulia
district of West Bengal. She fired a volley of questions that went somewhat
like this:“How
do artists decide on the subject of their Patachitra? Are there recurring
images having certain meanings? Do the Patachira scrolls depict daily life,
religion, and history, or all of them, or none of them? I have never seen this
type of art before, so I really appreciate your post! Have you found other
artists to help train and/or work with members of the Patachitra community?”
Any
discussion on this unique exchange experience that was CCH would remain utterly
incomplete without the gastronomical delights that they brought to the fore! As
the youngsters shared recipes of their traditional dishes, complete with
detailed anecdotes, the rejuvenating discourse lent a refreshing taste to the entire
narrative of cultural exchange!The reaction of Kennedy Soden, a virtual intern in
the project, was as eloquent as it could be: “Foodways can be the simplest way
to bring diverse cultures together. People love food… and as far as I am
concerned, I try anything unquestionably!” Baul
singer Girish Mondal prepared a vegetarian dish every Thursday, sticking to his
belief, and routine, of refraining from eating anything non-vegetarian on the
auspicious day that is Thursday! A
traditional fish curry cooked by Rupsona Chitrakar gave an exclusive glimpse of
the Bengali kitchen. After all, no meal for Bengalis is complete without fish!Betty Belanus shared the recipe
of a special cake that her family specializes in making. Her mother discovered the
recipe in a magazine several years ago and, since then, it has been a constant
during every celebration at her home!Reacting to a traditional meal of fish, honey,
olives, and mozzarella salad, prepared by Charish Christy Bishop, Madison Luken said, “Eating fish and honey together, seems like
it would be delicious! Thank you for sharing your recipes and the religious beliefs
behind the meals. I love to cook and I will soon make something like this for
my family!”Pam
Frei and Kennedy Lyn Soden
connected over Pam’s recipe of Apple pie. “We have our own recipe for apple pie,
which is similar to your family tradition! Nothing like an apple pie eaten a day
after it is made… even better for breakfast, in my opinion! Homemade apple pie
on thanksgiving with vanilla ice cream! Nothing like it!” said Kennedy.To have a better understanding of each other’s “foodways,”
the Indian participants took a Food Tour on H Street during their in-person
visit to Washington D.C. The varied platter on offer at the umpteen restaurants
down the street was quite an experience, an unforgettable one, for sure! Similarly,
the American team dipped into the Bengali cuisine, snacks and delicacies during
their visit to Kolkata and the villages of West Bengal! During her visit to the
theatre village of Tepantar, Violeta Palchik, a folklore graduate, joined Manas
Acharya, a multidisciplinary artist, in the kitchen and prepared a dish using
traditional Bengali utensils! Manas also showed her how to cook chicken in Bengali
style! Culture shapes our identities and influences our behavior, while an
understanding of cultural diversity prompts us to accept and, even to some
extent, integrate with and assimilate other cultures.
During their in-person visit to India,
the American team attended the Sur
Jahan world peace music festival in Kolkata where they had their first
face-to-face interactions with West Bengal’s rural musicians and artists.
During their reciprocal visit to Washington D.C., the Indian team members attended
Smithsonian Folklife Festival at the National Mall in Washington D.C. The
Folklife Festival honors contemporary living cultural traditions and celebrates
those who practice and sustain them. The guest countries in 2018 were Catalonia
and Armenia.
As village
festivals are an integral part of rural life and culture in West Bengal, the
Indian participants interviewed their own communities’ veteran artists to help
the Americans have a better understanding of the phenomenon. For example, a
leading Patachitra artist like Swarna Chitrakar was interviewed by her daughter
Mamoni, and Swarna spoke at length about the POT Maya Patachitra festival held
in Pingla every year in that interview! Cultural
perceptions, popular culture, and media are all inter-connected because they
are all involved with the masses. Each of them, individually, has an undeniable
influence on how society perceives itself and others. However, they come with
their own baggage too!
Betty
shared the story of her bonding with her 92-year-old mother over an American
soap opera. Betty observed that despite the story being “stupid” and “far from
the reality of daily American life,” their mother-daughter duo always found something
to laugh over in the episodes! Erum Khan Hadi, a New York-based doctoral
student of world history, expressed her opinion about the cultural
misunderstanding and misrepresentations generated by the media. She resented
the fact that people from other parts of the world were “driven by media” and
that the ‘American Dream’ might fail to see the “real values and struggles of
American life”. Julián Antonio,
a folkloristic anthropologist,
said, “In the U.S. media and popular imagination, there is unfortunately a
great deal of misrepresentation, stereotyping, and flattening out of Latin
Americans.”The
rural youths from West Bengal, though, had a different take on the subject. Baul
singer Sadhu Das said, “The new media has a positive effect in terms of archiving
and sharing traditional music.” Mamoni
Chitrakar said that there was no denying the power of the new media and she was
finding it useful for her profession also. “Television plays a big role in
reflecting contemporary events in our Patachitra tradition,” she said. The video
of Mamoni Chitrakar where she explains her work elicited much appreciation from
Erum Khan Hadi.
“These are wonderful! I love it. I would love to own one of these. If there is
any way I can get it, please let me know,” Erum said. As for popular culture,
it was a common realization that it is powerful because it helps in bonding
but, at the same time, it does make misrepresentations.
The
diversity and commonality of the participants’ wardrobes came to the fore when
they wore their traditional outfits and casuals on different occasions!From
the regular jeans and T-shirt to salwar kameez and kurta-payjama, both
contemporary and period costumes made their way onto the platform.Erum
Khan Hadi looked resplendent in a salwar kameez, a dress mainly worn by Asian
women. Pam Frei
wore a pirate jacket during her local Renaissance fair to “best reflect the
spirit”. Renaissance fair is a celebration of the Renaissance in Europe.The
colourful Jobba worn by Rabi Das Baul during his performances was made up by stitching
together small pieces of cloth. The “bright” outfit had Madison saying, “It’s
really interesting to see you wear a specific clothing style while performing!
I can imagine that there is a lot of variation in personal styles and
expressions with this. Thanks for sharing!!”
Globalization
connects cultures and people by opening doors of worlds unseen!Madison Luken
thinks globalization has impacted her through internet. She can now easily
connect with Korean music, Japanese games and shows, and food from various
ethnic restaurants at her hometown. She feels that nothing in her culture “has been
destroyed or lost” by the effects of other cultures. Rather, she feels, it has “created
a new culture” for her! Soham Mukherjee, an urban artist from Contact Base, concurred
with her. “Globalization helps us modernize our thought process. We can learn
about different cultures and connect with them to evolve a collaborative
approach,” he said.However,
there were many who had some reservations and concerns.Globalization
and modernization “homogenize cultures” and have an inherent risk of various
cultures losing their identity and uniqueness, they said. “Unfortunately, it
can be very, very difficult to preserve the entirety of a tradition. Traditions
vary between very short distances too, even between two adjacent households in
some cases! They can be passed down generations not just with words or
instructions, but even with a touch, or a facial expression.” Pam Frei said. No
culture can be sustained if it is not communicated and lived through by people.
Expressing concern about the vanishing Black culture in Washington D.C., Morganna Black
said, “The locality where I’m living has lost its sense of culture and is
catering to the taste of upper and middle classes.” It is only the Black
community in the D.C. area that has stepped up its activities to create
awareness about Black culture, she said.Pam Frei
shared a presentation on Witness Tress of Coppell in Dallas. A historical
society in the area encourages people to identify trees with certain diameters
and, once identified, these trees are researched and evaluated for historical
connections. Morganna Black
praised Witness Tress and said, “That is the kind of history that I love. The
trees really give a sense of the place and it is history”.Manas
Acharya mentioned the Patachitra art form of Majramura that has found a way to
sustain itself because the painters are now increasingly taking it up as the
main source of their livelihood, instead of continuing it as a ritual, as they
did in the past. The survival of Retablo is also interesting. It was the traditional
Spanish market that largely contributed towards its sustenance.In
his presentation on cultural sustainability, Jillian Love
highlighted the plight of several languages that are near, or on the verge of,
extinction. Tribalingual, an organization working to protect rare and
endangered cultures, is offering online courses to sustain such languages.Soham
Mukherjee shared a presentation on how the Bangla Dhol (an indigenous drum) was
revived by Balaram Hazra, an expert Dhol player.During
their in-person visit to India, the five-member American team visited Sovabazar
Rajbati, Simla House, Bethune College, Scottish Church College, Swami
Vivekananda’s house, and quite a few other heritage buildings and old temples
in and around Kolkata. They also savored traditional Bengali cuisine, snacks
and sweets, including delicacies.
The
team also visited Bishnupur town in Bankura district, famous for its Terracotta
temples. They went to Shantiniketan as well, a place of great cultural importance
in India. At Shantiniketan, they met a few professors at Visva Bharati
University, an institution founded by Rabindranath Tagore, the first
non-European to win a Nobel Prize in Literature.The five-member team from India visiting
Washington D.C. visited the DC Alley Museum, Renwick Museum, and National
Museum of American History.Erum Hadi Khan came to
know about the existence of Bangla Qawali only during her virtual interaction
with Samrat Khan, with whom she shared her last name. Erum said, “I was
familiar with Pakistani Qawwali, which is sung in Urdu and Punjabi, but I was
completely unaware of West Bengal’s Bangla Qawwali tradition until my exchange
with Samrat.”Pamela
Frei and Sonali Chitrakar bonded
over the art form they practice, Zentangle and Patachitra, respectively. Like
Sonali, Pamela also learned the art she practices from her mother. To describe
the urge for expression among artists and the inherent qualities of the art
forms, Pamela wrote, “Each artist has a tale to tell, and the audience
resonates with the stories that unfold through their medium. Both art forms use
bright colors, textures, and images to capture the attention of audiences and
captivate viewers. While they are different, they come from the same source of
creativity and the urge to share the stories.”
It
was interesting to note that despite such diversities, there were connections
between people who lived in two completely different worlds. Mamoni and Charish
shared their parenting experience and how they were raised by their parents on
the blog. While members of Mamoni’s family lived in the same village, Charish’s
lived miles apart. However, the similarity was in the effort put in by both
Charish and Mamoni’s mothers to give their children a better experience than
what they themselves had.In
another blog post chain, Morgan Shultz, Basudev Goswami and Tapas Bauri
connected with each other over theatre. The two plays, Mahakabyer Pore and Hamilton,
showcase the politics of oppression though the plays originate in two different
continents!The exchange had several accomplishments
in terms of cultural activity. The main ones among them were — use of
social media by rural youths, in-person interactions between the US team and the
rural artists of West Bengal, strengthening of community pride as a result of the
cultural exchange visits and workshops, greater flexibility and understanding
of each other’s culture.As the program drew to a close, several
illuminating realizations dawned upon the participants. First, it had succeeded
in bridging the young hearts and minds from worlds apart, and seeded in them a
sense of curiosity, affection and understanding about the arts and
sensibilities of otherwise unfamiliar people and communities. This, in effect,
vindicated multiculturalism as a safe and sure bet in building a peaceful,
creative world.The exchange also revealed that in spite
of definite differences between cultures, it can be easily discovered on close
scrutiny that there are often several similarities in the underlying feelings
and themes, whether it is music, painting techniques or storytelling styles.The experience underscored technology’s
importance too, especially in protecting indigenous art forms from
misrepresentation, using ICT to map oral history of communities, and taking recourse
to social media to promote arts and crafts. As one participant said, if
traditional artists became regular on YouTube, it might be a bulwark in
safeguarding the authenticity of their creative genres, and sensitizing
audiences about the differences between the art’s pure and adulterated
versions.The discourse triggered thoughts on
replicating the model of cultural exchange as well, with one participant of
Mexican origin saying that he wanted to organize a similar initiative along the
U.S.-Mexico border.
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