Skip to main content

#banglanatak dot com & #biswabangla presents #Patachitra & #WoodenMask artists in #UK at #GodsandDemons in #London, #Edinburgh & #Glasgow

West Bengal government’s initiative Biswa Bangla in collaboration with the Indian Council for Cultural Relations and London's Nehru Centre showcased the exhibition titled ‘Gods & Demons’ from May 3-15, 2016 at London, Edinburgh and Glasgow. Nirmalya Roy our Project Coordinator, Rural Craft Hub along with two folk artists namely Shankar Das and Suman Chitrakar belonging to Wooden Mask and Patachitra art form respectively participated in the exhibition. The exhibition attracted members of the British-Indian community as well as an eclectic mix of international craft patrons and a diverse audience from the art world. The ‘Gods & Demons’ exhibition focused on the making and rich history of the Masks of Bengal and the visual storytelling form of Patachitra. 


The exhibitions were showcased at the Nehru Centre, London, the Edinburgh Museum, and the Southside Fringe Festival in Glasgow. The most exciting part of the show was the live demonstrations by Shankar Das and Suman Chitrakar. Through these demonstrations, students, children, artists and art lovers got deeply involved in the process and interacted with the makers, thus preserving the traditions and rich cultural heritage of West Bengal.



In fact, Shankar Das’s excitement was evident when he said that” It was an enriching experience. I was surprised that we got to eat Indian food in London. It made me feel at home. Edinburgh is beautiful but, I enjoyed exhibiting at Nehru Center, London and Glasgow the most. People were so nice and took so much interest in our tradition.” Further Shankar realized the importance of carrying small masks and it is evident when he said that “I also feel for any such foreign trips, we should avoid big and demonic masks. We should take more of 3-6 inches masks which will be easier to carry and sell".

Suman Chitrakar was awestruck by the respect and appreciation for Indian art in London. His feelings were articulated when he expressed his feelings that “"I loved the atmosphere and ambiance of London. People there have a lot of respect and appreciation for Indian art. The people who attended our workshops and exhibitions were so eager to learn about our tradition and were so appreciative. Some people bought our crafts. I feel it was a good promotion. It was my first ever foreign trip and I loved their disciplined way of life. It was a wonderful experience for me”.


Dignitaries like Director of Nehru Centre, Deputy High Commissioner, attended the exhibition.



Nirmalya Roy, Project Coordinator, Rural Craft Hub, banglanatak dot com observed that the participants in the demonstration workshop shared whatever information they could gather with the two artists. Suman Chitrakar instantly struck a chord with children who tried their hands on learning Patachitra. Nirmalya further hoped that the artists have returned with fond memories and felt that it was a good opportunity created by Biswa Bangla. He was also optimistic that ‘any such future event selling opportunities should also be explored’. 

Comments

Popular posts from this blog

  Preserving the Bauls of Bengal for the 21st century Baul music is the soul of Bengal and is essentially the music of self searching. Its about 500 years old. Chaitanyadev's Bhakti Cult movement, which is seen as the first social reform movement in Bengal, may be the basis of evolution of Baul music. Bauls believe Chaitanya's eldest son was the first Baul. Chaitanya started 'Keertan', reached out to the oppressed ones and mobilized people against the social divide (due to gender, religion, class, caste) and social evils like Sati (where widow was forced to be burnt alive along with dead husband). Then comes, Lalan Fakir, who used to live at Kushtia in Bangladesh and he may be called as the father of Baul music. Living the life of an esoteric, denouncing the material world, they urge people to rise above the narrow divides created by caste, creed and religion to find love, peace and harmony. Do not look for God anywhere, look for Him in the human body. Only then will

Culture at a Click

  Culture at a Click: Banglanatak dot com in partnership with Google Arts & Culture launches online exhibits on Bengal Patachitra and Purulia Chau. We are a social enterprise working for the safeguarding and revitalization of traditional art forms for more than 15 years. Our flagship initiative Art for Life (AFL) builds sustainable eco systems for community led safeguarding of Intangible Cultural Heritage. AFL promotes Village, Artist, and Art together and has evolved the process of art and culture led rural development. Our repository has images, videos and well researched stories of performing art and craft traditions across India. We are partnering with Google Arts & Culture to share about the intangible cultural heritage of diverse communities across India with over 250 visuals on the crafts and performing arts of Bengal from our archives that can be viewed online by people around the world. And there can be no better partner than Google Arts & Culture for this virtual

Darjeeling and Kalimpong Folk Festivals: Celebrating Hills’ Heritage

Tucked away in a green, serene, and often surreal, surrounding on the lap of the Eastern Himalayan Range, Darjeeling is not only a requiem for tired urban souls, and the undisputed Queen of the Hills, but much more… To begin with, it is home to 14 indigenous communities who make up an amazing mosaic of pristine traditions, rituals and folk cultures that have, unfortunately, remained virtually undiscovered by the world outside.It was with this long-felt need to showcase the rich intangible cultural heritage (ICH) of the Hills that the Rural Craft and Cultural Hubs (RCCH) project of the Government of West Bengal hosted its first editions of Darjeeling and Kalimpong folk festivals in April and May 2017, respectively. Around 200 local artists participated in the event at Chowrasta Mall in Darjeeling on 5 and 6 April, while over 400 local artists and craft persons took part in the festival at the Mela Ground in Kalimpong on 27 and 28 May. An exhibition on Darjeeling Himalayan Railway, whi